Brand moments that actually land.

The film is what remains once the campaign is over. It carries the idea, sets the tone and supplies the material everything else derives from. We work in CGI narrative as much as in the short form built to travel, through to FOOH — that staging of an impossible billboard which reaches the scale of a global stunt for the cost of a 3D production.

• FOOH 12
• Film and series 57
• Music 13

Modelling a product once creates an asset that serves everywhere: e-commerce packshot, advertising, interactive page, try-on, immersive experience. This is 3D's economic inversion — cost concentrates upstream, in the truth of the material, and every subsequent variant becomes a parameter rather than a shoot. What makes an image credible is not polygon count but how leather absorbs light and how glass refracts it.

• Real-time 3D 103
• 3D product display 66
• Fragrance 26

An immersive activation turns an audience into participants: they try, they play, they step through a portal, they watch a façade transform. The studio has produced this kind of work since 2012 and is an official Snapchat, Meta and TikTok partner. The difference doesn't show in a screenshot but in use — drifting anchoring or an approximate material breaks the illusion in a second.

• Immersive portals 33
• Phygital experiences 17
• Snapchat 407
• Landmarker 17

Retail is the only medium where the audience is already standing in front of the product. Dressing it to campaign standard — an animating window, a mirror that tries on, a screen that extends the film — removes the break between what was seen online and what is found in store. It is also where immersive earns its usefulness: the stock on hand is finite, the catalogue is not.

• Augmented storefronts 24
• Image marker 31
• Augmented unboxing 10